Dr. Suresh Kumar Mishra ‘Uratript’
Dr. Suresh Kumar Mishra, known for his wit and wisdom, is a prolific writer, renowned satirist, children’s literature author, and poet. He has undertaken the monumental task of writing, editing, and coordinating a total of 55 books for the Telangana government at the primary school, college, and university levels. His editorial endeavors also include online editions of works by Acharya Ramchandra Shukla.
As a celebrated satirist, Dr. Suresh Kumar Mishra has carved a niche for himself, with over eight million viewers, readers, and listeners tuning in to his literary musings on the demise of a teacher on the Sahitya AajTak channel. His contributions have earned him prestigious accolades such as the Telangana Hindi Academy’s Shreshtha Navyuva Rachnakaar Samman in 2021, presented by the honorable Chief Minister of Telangana, Mr. Chandrashekhar Rao. He has also been honored with the Vyangya Yatra Ravindranath Tyagi Stairway Award and the Sahitya Srijan Samman, alongside recognition from Prime Minister Narendra Modi and various other esteemed institutions.
Dr. Suresh Kumar Mishra’s journey is not merely one of literary accomplishments but also a testament to his unwavering dedication, creativity, and profound impact on society. His story inspires us to strive for excellence, to use our talents for the betterment of others, and to leave an indelible mark on the world.
- Honoured with ‘Shrestha Navayuvva Rachnakar Samman’ by former Chief Minister of Telangana Government, Shri K. Chandrasekhar Rao.
- Honoured with Oscar, Grammy, Jnanpith, Sahitya Akademi, Dadasaheb Phalke, Padma Bhushan and many other awards by the most revered Gulzar sahab (Sampurn Singh Kalra), the lighthouse of the world of literature and cinema, during the Sahitya Suman Samman held in Mumbai.
- Meeting the famous litterateur Shri Vinod Kumar Shukla Ji, honoured with Jnanpith Award.
- Got the privilege of meeting Mr. Perfectionist of Bollywood, actor Aamir Khan.
- Meeting the powerful actor Vicky Kaushal on the occasion of being honoured by Vishva Katha Rangmanch.
Today we present his satire Tiny Rings, Big Weddings, Half a Garland Love.
☆ Witful Warmth# 45 ☆
☆ Satire ☆ Tiny Rings, Big Weddings, Half a Garland Love… ☆ Dr. Suresh Kumar Mishra ‘Uratript’ ☆
That evening, there weren’t any clouds in the sky, but on the WhatsApp group of the neighborhood, an emotional monsoon was definitely pouring. The reason? A birthday party. But not just any party—this was the grand “Mini-Marriage Extravaganza” of Gupta ji’s granddaughter’s aunt’s sister-in-law’s daughter’s son. Yes, relationships in India are longer than wedding vows, and just as confusing.
On a tiny, glittering stage stood five-year-old Rahul and four-and-a-half-year-old Pinky—both with cheeks still stained from milk and cookie crumbs. One looked like a lost groom, the other like a soap opera heroine in miniature.
“Hold the flower!” commanded Pinky, her tone sharper than a reality show judge.
“No, not like that—gracefully! Like you mean it!”
The crowd laughed. Cameras clicked. And Sharma Aunty sobbed emotionally, whispering, “Today’s kids are so smart! Our daughter-in-law still doesn’t know what blouse fall is!”
This was no play. It was a national trailer—India’s future in two minutes and forty seconds, garnished with flowers and viral hashtags. When Rahul bent down to hand over the flower, clumsily copying the kneeling trope from Bollywood, the aunties clapped as though a new law had passed in Parliament—The Child Marriage (Cute Content) Act 2025.
As the garlands looped around tiny necks, nostalgia gripped the uncles.
“In our days, love arrived via postman,” mused Sharma ji, “Now it shows up in Instagram reels—with background music and slow motion!”
He sighed. A deep, worn-out sigh. The kind of sigh that said: “Even children are marrying now, and I’m still paying EMI for my second daughter-in-law’s bangles.”
If Parsai’s soul was lurking anywhere nearby, it would have been rolling in the aisle, chuckling at humanity’s need to commercialize even a child’s innocence. “I bet,” he’d whisper from beyond, “next time they’ll stage a cute divorce act—complete with tiny lawyers and an emotional breakup song.”
The party ended, but not the unease. As laddoos were served, a question quietly echoed: Are we turning our children into ‘content’ before they can even become children?
Garlands on one side, likes on the other… and in between—childhood, shrinking like that old frock your daughter once wore but can’t fit into anymore.
Earlier, girls used to marry dolls. Now they become dolls—for views and clout. And the boy? He simply does what he’s told—
“Hold the flower, beta!”
After the shoot, Rahul caught a cold, and Pinky went viral. Her mother proudly declared, “We should put her in acting school. She’s got that spark!”
Rahul’s father just stood silently. Then muttered, “He held the flower. Now I’ll bear the thorns forever.”
The satire met its most painful punch when Rahul’s little sister asked that night, “Papa, will I also get married tomorrow?”
And the mother, adjusting her sari and her sarcasm, replied, “Depends, sweetheart. If the video goes viral, then maybe. Start thinking of a hashtag—#LittleBrideBigHype.”
And so, a new ritual has emerged in our lanes and gallis: a corner at every party now has kids dressed up in wedding costumes, ready to ‘perform’ their innocence.
Parents hover with phones in hand, waiting to record the next viral gem, the next ‘adorable’ moment, the next “We are so blessed” caption.
This isn’t just satire. It’s a mirror we’d rather not look into. Everything is staged. Everyone’s a prop. And childhood? It’s just a clip—carefully curated, expertly edited, and widely forwarded.
Next time you come across a viral reel of two kids pretending to get married, don’t just hit ‘like’. Pause. Ask yourself—Is that smile really theirs, or just another rented emotion we forced them to wear for our entertainment?
And if you must cry—keep a tissue handy. You’re going to need it.
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© Dr. Suresh Kumar Mishra ‘Uratript’
Contact : Mo. +91 73 8657 8657, Email : [email protected]
≈ Blog Editor – Shri Hemant Bawankar/Editor (English) – Captain Pravin Raghuvanshi, NM ≈